Review: Kiss Me, Kate - The Old Vic

Get into London Theatre offer big shows at small prices, I've know about them for a few years now and never actually got round to booking shows through them until this year. Most of the shows do seem to only have tickets available Monday-Friday which is a bit of a pain when you don't live in London but luckily Kiss Me, Kate had some Saturday shows on there and you can't beat a good half price ticket. 

Now I'll readily admit that I'm a complete seat snob in theatres and rarely sit up in the gods and I'm trying to get used to it as when I turn 26 I apparently lose all entitlement to being a "young person." So my ticket at just £15 was in the Lilian Baylis circle (as pictured above) and I wonder if this played a part in my enjoyment (or rather lack of) of the show because I just felt so disjointed and far away. The audience's irritating behaviour also did not help, I'll forgive any fidgeting as I probably was just as bad myself with the uncomfortable seats but the constant mutter of comments, crackling of plastic water bottles, noses being blown and my chair being kicked was so distracting.

The show features a show within a show as we see a theatre company putting on a musical version of Shakespeare's The Taming of the Shrew but things are complicated when the leads Lilli Vanessi playing Katherine (Hannah Waddingham) and Fred Graham playing Petruchio (Alex Bourne) are ex-lovers. Things take a turn for the worst when Bill (Adam Garcia) racks up a gambling debt of $10,000 and signs a IOU in Fred's name prompting two gangsters to turn up to collect it during the show. Obviously it's an old fashioned musical and has a lot of long talking scenes and with the mixture of being so far away and surrounded by an irritating audience it was hard to keep concentration during them. I also can't say I was too comfortable about the ongoing joke that Fred had beat Lilli so hard that she was in constant pain.

This isn't the first show I've had the pleasure of seeing Hannah Waddingham in and she deservedly stills the limelight yet again. I also enjoyed seeing Adam Garcia on stage again as well as Clive Rowe as one of the gangsters. The ensemble were also wonderful to watch in their big numbers such as "Too Darn Hot." I'm disappointed that I didn't enjoy this show as much as I was expecting but I didn't hate it either, for me it was just ok. 

Something's coming, something good

I have really been slacking with this blog, I was suppose to be off to see Taboo a couple of weeks ago  but then the snow came and shat all over that plan so I couldn't review that and then I've just been procrastinating and not watching all the movies that I planned to.

Anyway today's post is brought to you by the excitement of Broadway since we seem to be getting a lot of it coming to London this year. New York City is my absolute favourite city in the world, I've been lucky enough to visit twice but sadly haven't been for a good 7 years. Needless to say with a love of NYC comes a great love of Broadway.

Next month I'll be seeing Sherie Rene Scott at the Matcham Room, Hippodrome, I don't have tickets yet but am hoping to see A Chorus Line and Once at some point during February and March, I do have a ticket booked for The Book of Mormon in May and I'm also hoping to get a ticket to see Patti LuPone in June. Most, if not all, these shows I've seen come and go on the other side of the pond the last few years and now I'm rather excited that I get a chance to see them for myself.

Also yesterday the National announced their next season which also sounds incredibly, particularly the Tori Amos musical The Light Princess and the Simon Russell Beale/Sam Mendes King Lear. Unfortunately for me my entry pass membership expires when I turn 26 in May so no more amazing £5 tickets, here's hoping there are plenty £12 Travelex tickets to go around!

Review: Les Miserables

It's going to be quite hard to write this review without completely gushing, we're only in January and I think I may have already found my favourite film of the year. Les Miserables based on the stage show by Schonberg & Boublil follows Jean Valjean through decades as he's being hunted by policeman Javert. I saw the show in London a few years ago now and enjoyed it but was never a mega fan and I think that's the best way to see the film because from what I've seen online the mega fans are going to be more nit picky over the film.

Being a self confessed musical nerd, it's an exciting time anytime a show gets a big screen adaption and I think Les Mis is a particularly good one for showing all the people who can't stand them that they're not all cheese and jazz hands. That said if you're expecting to see some perfect belting singing then you will be disappointed, this film is all about the raw emotion of the characters and this was perfectly filmed with extreme close ups by Tom Hooper. I also think the live singing works well with this rather than having the actors mime to pre recorded vocals. 

The cast are all brilliant and I personally enjoyed playing spot the West End actor with all their cameos. In terms of the lead cast, Anne Hathaway is fantastic and she will be robbed if she doesn't win the Oscar for this performance. I also enjoyed performances by Hugh Jackman, Samantha Barks and yes although Russell Crowe cannot sing I think his Javert works well for this adaption. I left the cinema immediately wanting to watch it again and am hopefully going again next Sunday to see it in IMAX.

Review: Starlight Express - Brighton Centre

Whilst I was off work over Christmas and sales shopping, I decided I needed to book myself some theatre tickets for 2013 and I thought what better way to start than a musical on the first Saturday in January. 

Starlight Express written by Andrew Lloyd Webber is currently touring the UK with this Bill Kenwright production. I pretty much knew nothing going in except they're pretending to be trains on rollerskates. IMO ALW gets a lot of unfair stick in the musical theatre world, Evita would have to be my favourite musical of his and I would recommend it to everyone, it's a real stunning piece of music. It's a shame I can't say the same for this show, I was bored and thinking now I can't remember any of the songs bar one and I only saw it 3 days ago. I did read in the program that ALW wrote this for his children so maybe I'm just not the intended audience but then again that's no excuse for shoddy work.

Part of the reason I think is because it's a Bill Kenwright production and they're nothing if not know for being cheap. There was no set bar a giant LED screen and two half pipes to skate on, I imagine the show was stunning when it opened at the Apollo Victoria Theatre in London but it just wasn't working for me at the Brighton Centre. When I walked in I was handed a pair of 3D glasses which are used to show the race part of the show but again I read in my program this was introduced in 1993 and needs some serious updating. It did amuse me that Pearl is blonde in the show and suddenly in the 3D film she's ginger.  The actors have my admiration for dancing and singing on rollerskates even though most of their routines did seem to involve skating in circles and I thought the costumes were good but again looking a little tired. All in all I can't say it was worth the £50 I spent on a ticket.

Looking forward to the other shows I've booked, next Saturday I'll be off to see Taboo in Brixton which has had rave reviews so fingers crossed I'll enjoy that one a little more. Also when I get paid I need to book myself tickets for The Book of Mormon, Once & A Chorus Line, they're probably the shows I'm most looking forward to in 2013.

What about everyone else? Has anyone else got any shows planned they're looking forward to? Or other TV, music or film that I should look out for?